Y’all Gonna Make Me Lose My Mind

Up in here, up in here.

But seriously. Writing, editing, reviewing…. it’s a never-ending process. When do you really throw your hands up and say ‘I’m done’?

I’ve received a lot of advice from published authors that the best thing to do is get it all out there and worry about the revisions later, but that’s just not how I roll. I’m a perfectionist, so if my sentences aren’t 100% I can’t move forward. I literally can’t focus on what’s next if I don’t love what’s in front me. But at some point I need to take a step back and look at things holistically. Spending 20 minutes debating if a sentence should end with a question or an exclamation mark just isn’t worth the time.

I need to hunker down and focus on revising what’s most important for the flow of my story.

Those things that need a-fixing:
1) Incorporate the influence of water (it has to do with my plot)
2) Eliminate unnecessary characters (this has been tearful)
3) Divide the giant chapters into smaller chapters (seriously… some of these look like college essays)
4) Don’t over share, sprinkle facts throughout (these readers need some suspense up in here)
5) Delete unnecessary words, tighten sentences (get it right, get it tight)

It’s time to think big picture. Focus on these five buckets, understand there will always be little things that I could/could not change, and in the end love my story for what it is. Trying to perfect every little tidbit is like trying to fix someone’s unique flaws, which end up actually being their most endearing characteristics.

What Not to Do Around Literary Agents: Gape, Gasp and Guffaw

Being in the same room with six literary agents is an anomaly. No, being in the same room with six literary agents that want to hear from YOU, now that’s an anomaly.

And I was lucky enough to be one of the few that spent the day talking, learning, and creating with them.

They say don’t judge a book by its cover, and I think that’s totally true. But, I have to admit my initial speculations were that agents were scary. They’re the ones that deny, deny, deny. They’re the one’s that tell you your book sucks. They’re the ones that rip your favorite scene, you know that one you worked hours and hours on, to pieces.

When I actually came face to face with the men/women behind these hopeless actions, my perception changed.

They don’t have dragon tails, claws, and breathe fire (unless provoked). They’re like you. They’re like me. And you know what they want more than anything in the world? For us to succeed.

The author-agent relationship is one built on tough love. They don’t scold you for your run-on sentences and lack of visual description because seeing you fail makes them feel warm and fuzzy inside. In fact, it’s just the opposite. They tell you these things to make you a stronger person and ultimately a better writer.

So I guess the message of this post is be bold. Be brave. Don’t let one rejection get in the way of your future of writing. Take these hits as lessons to improve your craft, and you will get better. Agents want to believe in the magic of your story, they’re just waiting for you to cast the right spell.

Traveling for Inspiration

I never really understood how necessary it was to see the world and explore other cultures.

But then again, I’d never been to another country.

My recent trip to Europe inspired me more than I could have ever imagined.

The falling ruins of the Colosseum,


the arching steel of the Eiffel Tower,


the aqua waters of the Mediterranean,


the history in everything you see.

And you don’t just see with your eyes. You touch with your fingers, you taste with your mouth, you smell with your nose. The history and the myths are buried everywhere, in the air, in the food, in the cobblestone streets.

People talk of the beauty of these countries, but it’s a whole different thing to experience it yourself.

It transforms you.

My outlook on life has changed. The way I perceive others has changed. The way I perceive myself has changed.

If I could give one piece of advice, it’s get out there.

Explore, learn, teach, experience.

Inspiration is around every corner, just waiting to pique your interest.

Traveling is hard work. At times terrifying. Hectic. Confusing. Tiring. Uncomfortable. Expensive.

But don’t be scared, because the experiences are unforgettable.

Be that awkward tourist on the street corner with the map held in front of your face. Make the social gaffe to drink Limoncello before dinner. Run through the halls of the Bologna Station because you went to the wrong platform to catch your train.

Most importantly, live in the moment.

Tell me about your travels, I’d love to hear your experiences and what’s inspired you during your journey’s :)


Using the Myths to Guide You

When walking past Barnes and Noble the other day, I noticed a flyer for an upcoming author’s panel and book signing. I like to attend local events in my hood, and when there’s something posted that has the words ‘myth, magic, and madness’, you can bet I’m all over that.

I awkwardly stumbled into the bookstore’s conference room, not really aware of the RSVP policy, but was able to secure a seat anyway. It was there I met authors Kathie Fong Yoneda and Pamela Jaye Smith, otherwise known as my fiction fairy godmothers. Not only did they provide me with invaluable writing information and storytelling techniques, they also opened up a portal to an aspect of fiction writing I’ve been eager to learn about; and that was using ancient myths as the background or basis of your story.

This may be old news to a lot of you, but for me it was like a breath of fresh air. I knew I always wanted to create a relationship between my story and some particular ancient tales of time, but I never knew the right etiquette to go about doing so. Would it be considered plagiarism for referring to these artistic monuments? Was there some unspoken rule about incorporating them into more current works of art? It was encouraging to hear other fiction authors not only approving this route but recommending it, and it instantly brought back that fire that had dwindled down in the past few months. Yoneda and Smith stressed these stories were written to interpret them in your own way, and it’s up to you to mold them and make it your own.

I read and write to leave the mundane instances of everyday life and transport to another world. The impact a good book can have on someone is priceless, and it is these types of moments I wish to create. Intertwining these myths only makes your story more believable, as if the magic could manifest outside your window.

Do you like to use ancient myths and stories to guide your writing? Shape your characters or setting? And if so, is there any particular one that has had made more of an impact on your work than others?

Now Entering the Real World

There’s comes a time in every young author’s career when they get totally slapped in the face. With reality, that is.

Allow me to explain. I attended my first writer’s panel last week. Walking through the doors of the heavily air-conditioned building in Santa Monica, I felt like a million bucks. I had just completed my ninth chapter only hours before, and while I snacked on wine and cheese, I chatted with the few other people who were there about novels, the panel, and the excitement we shared for the evening. After mingling, I took my seat in the panel room and silently tweeted about my time so far. Soon after, the room started to fill, and my ego slowly started to deflate. I was glad to be surrounded by my people; other aspiring authors, and screen writers, and the like. But geez, was there supposed to be this many of them?

Shortly after my ego pop the panel started their presentation, and the only thing going through my head: I am utterly intimidated. It was an emotion I hadn’t yet felt in the process of writing, and all of a sudden it hit me. There are other people in this writing world, this writing world I call my own. I was so wrapped up in my own writing, I felt invincible. Until I visibly saw the other authors with my own eyes, it was all fun and games. Hours of daydreaming about when Simon & Schuster would call me up to personally tell me I have an exclusive publishing deal, how the first agent I sent my work to would call me back within 30 minutes and beg for my business, how my name would be plastered on the cover of the New York Times Bestseller List. Get real, honey.

This isn’t a game, this is the real deal. There are people out there, fighting night and day, to get a book deal. It takes more than hard work, it takes determination, courage, and an undying passion to get in this business. Faced with the reality that this is not only my dream, this is hundreds, no thousands, of other people’s dream, was a slap in the face. A wake up call. A push to keep moving forward, keep writing at all costs, and be aware that I am not alone in this. It was something I always knew, it just didn’t seem real to me.

Intimidation doesn’t have to be a bad thing though. In fact, I think in this case, it was that little push I needed.

As authors, we are all in this struggle together. Hopefully this can be your little push too.